This essay is part of a series commissioned by the Australia-Indonesia Centre, with leading writers and commentators from Indonesia and Australia each looking closely at their own society, cultures and political situations. When asked to contribute an essay to the series, Eliza thought of exploring the subject of Indonesian identity through personal and national trauma—specifically the May 1998 tragedy.
How was it possible that these people, after three decades of silence and obedience and fear, now found the courage to protest? These people were so used to submitting to fate. How had they decided that they could break the course of History? The protests impressed him profoundly as the first confirmation that one could indeed bring about change. He would never forget how, along with the sound of thousands of students marching, he had heard God lovingly whisper in his ear, ‘You too can change your life’s course.’
Esai ini merupakan bagian dari serangkaian yang ditugaskan oleh Pusat Australia-Indonesia—penulis dan komentator terkemuka dari Indonesia dan Australia memeriksa secara dekat masyarakat, budaya, dan situasi politik di negara masing-masing. Ketika diminta menyumbang esai untuk serial tersebut, langsung terpikir oleh Eliza untuk menyelusuri topik itu melalui tema trauma personal dan nasional, terutama tragedi Mei 1998.
Tema mengupayakan keberanian untuk hidup sesuai pilihanmu, untuk merasa dirimu punya harga diri meskipun berbeda dengan mayoritas, dirimu layak dicintai biarpun orang-orang bilang dirimu rusak—apakah itu hanya masalah pribadi? Tidak, itu pun politis. Karena merasa memiliki harga diri memberdayakan kita. Kita jadi punya keberanian untuk mengangkat suara, untuk menceritakan kisah kita, untuk tidak lagi menerima diskriminasi atau penindasan.
May 5-8 Eka Kurniawan and I attended Wordstorm, Northern Territories Writers Festival in Darwin, Australia. We talked about political change in Indonesia, female sexuality, freedom and its costs, and censorship.
Celebrate the launch of Eliza Vitri Handayani’s novel From Now On Everything Will Be Different, finally launched in Jakarta. With Kartika Jahja, Dinda Kanyadewi, Sakdiyah Ma’ruf, Jewel Topsfield, Olin Monteiro, and Vendy Methodos.
In a country as diverse as Indonesia—with hundreds of ethnicities, many faiths, and with an authoritarian history, it can be difficult to talk about controversial issues. Since the fall of the New Order, Indonesia has taken steps to guarantee freedom of expression. Unfortunately, laws that contradict those steps have also been passed.
Sesekali sebutir nasi atau seiris bawang goreng tersisa di pinggir bibir mereka, bagai seorang minoritas atau kambing hitam, yang kemudian mereka enyahkan dengan sapuan tangan.
She eyed the sweaty strangers around them, tearing off pieces of flesh, crunching into crackers, red sauce dripping from their fingers. Every now and then a lone grain of rice or shred of onion would cling to the corner of their lips, like a lonely outcast or scapegoat, only to be obliterated with a swipe of their greasy hands.
After warnings from local police, the Ubud Writers & Readers Festival 2015 has had to cancel the launch of Eliza Vitri Handayani’s novel From Now On Everything Will Be Different.