Kita berhutang pada diri kita sendiri untuk menjaga keberagaman kita—untuk mewujudkan sebuah bangsa di mana semua orang dapat, dengan aman dan leluasa, menjadi diri mereka masing-masing.
To censor is to say certain voices are not okay. When you don’t see people like yourself represented, you may feel isolated. That’s why intolerant groups must not be allowed to define what it means to be Indonesian. We owe it to ourselves to take care of our diversity—to realize a country where everyone can be true to themselves.
At MWF Eliza spoke at the panels Muslim Feminism, Protest & Rebellion, and Writers Across Borders. She was also one of the surprise guests at Dumbo Feather’s Caravan Conversation.
Police interference with the Ubud Writers and Readers Festival’s program was the latest sign of paranoia about 1965-related events. Two sessions unrelated to 1965 were also cancelled at UWRF: a panel called ‘For Bali’ about large-scale water and mangrove reclamation plans, big businesses, and the environmental movement, Bali Tolak Reklamasi (Bali Says No to Reclamation); and the launch of the novel From Now On Everything Will Be Different.
Tema mengupayakan keberanian untuk hidup sesuai pilihanmu, untuk merasa dirimu punya harga diri meskipun berbeda dengan mayoritas, dirimu layak dicintai biarpun orang-orang bilang dirimu rusak—apakah itu hanya masalah pribadi? Tidak, itu pun politis. Karena merasa memiliki harga diri memberdayakan kita. Kita jadi punya keberanian untuk mengangkat suara, untuk menceritakan kisah kita, untuk tidak lagi menerima diskriminasi atau penindasan.
May 5-8 Eka Kurniawan and I attended Wordstorm, Northern Territories Writers Festival in Darwin, Australia. We talked about political change in Indonesia, female sexuality, freedom and its costs, and censorship.
Celebrate the launch of Eliza Vitri Handayani’s novel From Now On Everything Will Be Different, finally launched in Jakarta. With Kartika Jahja, Dinda Kanyadewi, Sakdiyah Ma’ruf, Jewel Topsfield, Olin Monteiro, and Vendy Methodos.
In a country as diverse as Indonesia—with hundreds of ethnicities, many faiths, and with an authoritarian history, it can be difficult to talk about controversial issues. Since the fall of the New Order, Indonesia has taken steps to guarantee freedom of expression. Unfortunately, laws that contradict those steps have also been passed.
After warnings from local police, the Ubud Writers & Readers Festival 2015 has had to cancel the launch of Eliza Vitri Handayani’s novel From Now On Everything Will Be Different.
Love, freedom, and identity are all connected. If we have freed ourselves from a repressive regime, from unfair social norms, can we be free to be who we are? Can we break free from our own fears, from our own past? Are we free to choose what kind of person we want to be?